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One Person Exhibitions |
| 2008 |
Pentimenti Gallery, Philadelphia, Pennsylvania The Braille Landscape. |
| 2007 |
Marcia Wood Gallery, Atlanta, Georgia Tropical Gothic |
| 2005 |
Project Room 88, New York, New York
Braided Incidents: Recent Paintings and Works on Paper by David Ambrose |
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Domo Gallery, Summit, New Jersey Public and Private Work |
| 2003 |
Morpeth Gallery, Hopewell, New Jersey Patterns of Resistance |
| 2002 |
Kaiserslautern Germany The Echo of Ornament |
| 2001 |
Tomasulo Gallery, Union County College, Cranford, New Jersey
The Gallery at St. Andrew’s School, Middletown, Delaware
The Bound Brook Cycle: Recent Work by David Ambrose |
| 1998 |
Aljira, A Center For Contemporary Art, Newark, New Jersey Powder and Lace |
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Jersey City Museum, Jersey City, New Jersey The Saturated Soul |
| 1997 |
Noyes Museum of Art, Oceanville, New Jersey
Conduct, Diligence, and Drawing: Recent Works by David Ambrose |
| 1994 |
Pennsylvania School of Art & Design, Lancaster, Pennsylvania
Flesh and Blood: Recent Paintings by David Ambrose and Dik F. Liu |
| 1993 |
Brodsky Gallery, Princeton, New Jersey
Recent Work by David Ambrose |
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Group Exhibitions |
| 2009 |
Kentler International Drawing Space, Red Hook, Brooklyn, Degrees of Density
Margaret Thatcher Projects, New York, New York Drawing
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| 2008 |
Geoffrey Young Gallery, Great Barrington, Massachusetts Exquisitude |
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Marcia Wood Gallery, Atlanta, Georgia This Just In |
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Mckenzie Fine Art, New York, New York Horror Vacui |
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The Walsh Gallery, Seton Hall University, South Orange, New Jersey Painting Process |
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Visual Arts Center Of New Jersey, Summit, New Jersey Midnight Full of Stars. Curated by Sara Lynn Henry |
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Jeff Bailey Gallery, New York, New York It’s Gouache and Gouache Only.Curated by Geoffrey Young |
| 2007 |
Marcia Wood Gallery, Atlanta, Georgia Luxe, Calme et Volupte. Curated by Joanne Mattera |
| 2005 |
Gallery at Bristol-Myers Squibb, Lawrenceville, New Jersey Canvassing the Coast: Contemporary Paintings Inspired by the New Jersey Shore |
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The Noyes Museum Of Art, Oceanville, New Jersey Encore: More from the Permanent Collection |
| 2004 |
Victory Hall, Jersey City, New Jersey Metaphors, Muses & Mysteries |
| 2003 |
New Jersey State Museum, Trenton, New Jersey | The Morris Museum, Morristown, New Jersey | The Noyes Museum Of Art, Oceanville, New Jersey100 New Jersey Artists Make Prints |
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Project Room 88, New York, New York The Shoe Show |
| 2002 |
Morpeth Gallery, Hopewell, New Jersey Small Works |
| 2000 |
Hunterdon Museum Of Art, Clinton, New Jersey New Jersey State Fellowship Exhibition |
| 1999 |
Gail Gates Et Al, Brooklyn, New York Size Matters |
| 1997 |
Gallery Korea, New York, New York Recurrence and the Work of Art |
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Rutgers University, New Brunswick, New Jersey
Recent Works from the Innovative Center for Print & Paper |
| 1996 |
The Noyes Museum Of Art, Oceanville, New Jersey Saturnine/Mercurial: The Many Moods of Watercolor |
| 1996 |
The Noyes Musem Of Art, Oceanville, New Jersey
94-95 New Jersey State Council on the Arts Fellowship Exhibition |
| 1995 |
313 Gallery, New York, New York Mushy, Soft and Sensitive with Bite |
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Seton Hall University, Newark, New Jersey The Elegance of Obliquity |
| 1994 |
Rutgers University, New Brunswick, New Jersey Identity: An American Dream |
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Aljira, A Center For Contemporary Art, Newark, New Jersey The Definite Decade |
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City Without Walls, Newark, New Jersey Meditations |
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Chamber, New York, New York Chamber 2 |
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Pyramid Atlantic, Riverdale, Maryland Natural Histories |
| 1993 |
The Noyes Museum Of Art, Oceanville, New Jersey Master Prints from the Rutgers Center for Innovative Printmaking |
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City Without Walls, Newark, New Jersey Major Medical (David Ambrose, Curator) |
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University Of Pennsylvania, Philadelphia, Pennsylvania Alumni Exhibition |
| 1992 |
The Noyes Museum of Art, Oceanville, New Jersey New Jersey Arts Annual: Fine Arts |
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Artworks, Trenton, New Jersey The Figure as Muse |
| 1991 |
City Without Walls, Newark, New Jersey Undead Artists |
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Aljira, A Center For Contemporary Art, Newark, New Jersey Choices |
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Grants And Awards |
| 2002 |
Atlantic Academy, Kaiserslautern, Germany
Artist-in-Residence |
| 2000-2001 |
Union County Cultural & Heritage Commission
Heart Grant |
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New Jersey State Council on the Arts
Painting Fellowship |
| 1995-1996 |
Rutgers Center for Innovative Print & Paper, New Brunswick, NJ |
| 1993-1994 |
New Jersey State Council on the Arts
Distinguished Artist Fellowship |
| 1993-1995 |
Aljira, A Center for Contemporary Art, Newark, New Jersey
Artist’s Advisory Board |
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Collections |
The Noyes Museum of Art, Oceanville, NJ
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New Jersey State Museum, Trenton, NJ |
| The Morris Museum, Morristown, NJ |
Newark Public Library, Newark, NJ |
| Nabisco Brands |
Zimmerli Art Museum, New Brunswick, NJ |
| Jersey City Museum, Jersey City, NJ |
Atlantic Academy, Kaiserslautern, Germany |
| The Montclair Art Museum, Montclair, NJ |
The Capital Group, Los Angeles, CA |
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Education |
University of Pennsylvania, Philadelphia, Pennsylvania Master of Fine Arts Degree in Painting
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| Muhlenberg College, Allentown, Pennsylvania Bachelor of Arts Degree in Fine Arts |
| Universita Italiana per Stranieri, Perugia, Italy |
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Bibliography |
Symmes, Marilyn, Degrees of Density, Kentler International Drawing Space, 2009
Baker, R.C., “Horror Vacui.” Best in Show-Recommendations, The Village Voice, July 9-
15, 2008.
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| Henry, Sara Lynn, “Midnight Full of Stars.” Catalog Essay, 2008 |
| Bischoff, Dan, “ Stars in Their Eyes.” The Sunday Star Ledger, April 20th, 2008 |
| Wolfe, Debra , “Spirit of Baudelaire, Matisse flows.” The Atlanta Constitution Journal, July 8, 2007 |
| Mattera, Joanne, “Luxe, Calme et Volupte,” Catalog Essay, June 2007 |
| Purcell, Janet, “The sand, the sea … and a lot more,” The Times of Trenton, June 3, 2005. |
| Fillibeck, Andreas, “Small Strength Packets with Natural Symbols,” Die Rheinpfalz, November 4, 2002. |
| Fillibeck, Andreas, “Little Power-Packs That Evoke Nature,” Die Rheinpfalz, October 30, 2002. |
| Haen, Martin, “The Echo of Ornament, Essay, Stiftskirche, Kaiserslautern, Germany, 2002. |
| Moore, Jane, “Art Inspired in Wake of the Flood,” The Star Ledger, February 8, 2001. |
| Berenguer, Desiree, News 12 New Jersey, Television Interview, February 1, 2001. |
| Terenzi, Mark, “Cycles of Life Endure,” The Sunday Courier News, January 21, 2001. |
| Zimmer, William, “Contemplating Categories Among Genres,” The New York Times, January 7, 2001. |
| Wechsler, Jeffrey, “The Bound Brook Cycle,” Essay, The Tomasulo Gallery, 2001. |
| Schwabsky, Barry, “Memory, Atmosphere, and How They Connect,” The New York Times, November 22, 1998. |
| Bischoff, Dan, “Powder and Lace,” The Sunday Star Ledger, November 22, 1998. |
| Wei, Lilly, “Powder and Lace,” Essay, Aljira, A Center for Contemporary Art, 1998. |
| Zimmer, William, “Not Much in Common, Except Commitment to a Vision,” The New York Times, May 24, 1998 |
| Chong, Theresa and Harris, Mark, “Recurrence and the Work of Art,” Catalogue Essays, Gallery Korea, 1997. |
| Haller, Emanuel, “A Portrait of Two Artists,” The Courier News, November 4, 1993. |
| Raynor, Vivien, “Folk Art, Decoys, and Much More,” The New York Times, September 26, 1993. |
| Raynor, Vivien, “Body Parts Provide Artists with Theme,” The New York Times, February 14, 1993. |
| Raynor, Vivien, “Undead Artists, Gallery’s Choice of Works by New Members, The New York Times, September, 1, 1991. |
| Bass, Ruth, “From the Other Side,” ArtNews, April, 1986. |
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